Now I route all the individual vocal tracks through a master vocal track and apply reverb only to that.ДЈ) Consider trying out a mastering suite. I had been adding reverb to each vocal track. Reduce the number of fx per track, and reduce the extremity of those fx.Дў) Use fx busses, especially for reverb, instead of individual FX on each track. You're putting this stuff on your iPod? Do you have EQ engaged on your iPod? On your car stereo?ДЄ few things that have helped me tremendously (I'm still learning):ДЎ) LESS IS MORE. It's a huge hurdle for the poor uninformed newb.

If your mix is radically different in any frequency zone (low, mids, high). Try to get your mix in the same sonic ballpark as the commercial mix. Also, it'll help to reference some commercial mixes that you're really familiar with (in similar style) to see how far off your mixes sound. and check your mixes on multiple playback systems (making tweaks as you go). If you have no choice but to use those speakers, you need to learn their limitations. Otherwise, you're chasing your tail when mixing. but rather they need to provide an 'accurate' representation of the sound. This is why you don't want studio monitors to sound 'good'.

because the monitors are inaccurate, the tweaks you make don't sound good when played on other systems. it sounds good while listening to those speakers.Д«ut. You're tweaking the mix to sound good on inaccurate monitors. Shouldn't the mix that I'm hearing out of reaper accurately translate to itunes or Win Media Player? Perhaps I'm missing a concept here or something. I guess I just don't understand why the mix comes out differently when using the same speakers but only the playback program changes. Yeah, this is kind of what I figured would be what i would need to do since I can't really get better speakers or acoustically treat the bedroom (where my computer is). Then go back, listen again and repeat as many times as necessary. A properly treated room and/or a eq'd room for flat freq response & good well placed reference monitor speakers will go a long way to getting your mixes to translate well to a variety of listening settings (boombox, home stereo, car stereo, etc.).Д«aring that you will have do a lot of extra work and make notes about what is pronounced/lacking in your mixes when listening to them in various environments and then go back to your mix and make any changes in REAPER and re-render. It is not REAPER that is the issue but more likely it is the environment that you are mixing in.

Microsoft dynamics nav add ons